#Sync audio editready movie#
#Sync audio editready 1080p#
#Sync audio editready pro#
#Sync audio editready software#
#Sync audio editready code#

I don't see why this should have happened in fact, I don't see why the software allowed it to happen. All of the clips were still linked, and they had never been unlinked! Please take a look at the attachment to my first message. The audio was a few seconds behind the video. I did something (I'm not sure quite what) that left a gap in the audio, but not in the video. This was only a quick example showing that one particular tool, which looked like it might have done exactly what I wanted, won't work in my circumstances. The attached clip shows what happens when I try to remove a gap from one track when there is no gap in another track.

#Sync audio editready movie#

Fiber allows outgoing and incoming video signals to be transmitted as far as 10km away.At this point, everyone seems to have lost track of my original question.įirst, let's see if a movie is worth a thousand words.

12G-SDI support is available for both In and/or Out through the first SFP cage in each case labelled 1 & 2.

#Sync audio editready pro#

Ki Pro Ultra 12G’s fully integrated fiber inputs and outputs means it can be integrated directly to a dedicated fiber network with both 12G and/or 3G support, compatible with many other fiber products. Single SC 3G Fiber Rx SFP AJA - Part # FIBERSC-1-RX Single SC 3G Fiber Tx SFP AJA - Part # FIBERSC-1-TX Single LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-1-RX-MMĭual LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-2-TX-MMĭual LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-2-RX-MM Single LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-1-TX-MM Single LC 3G Fiber Rx SFP AJA - Part # FIBERLC-1-RXĭual LC 3G Fiber Tx SFP AJA - Part # FIBERLC-2-TXĭual LC 3G Fiber Rx SFP AJA - Part # FIBERLC-2-RX Single LC 3G Fiber Tx SFP AJA - Part # FIBERLC-1-TC Single LC 12G Fiber Rx SFP AJA - Part # FIBERLC-1RX-12Gĭual LC 12G Fiber Tx SFP AJA - Part # FIBERLC-2TX-12Gĭual LC 12G Fiber Rx SFP AJA - Part # FIBERLC-2RX-12Gĭual HD-BNC 12G Copper Tx SFP AJA - Part # HDBNC-2TX-12Gĭual HD-BNC 12G Copper Rx SFP AJA - Part # HDBNC-2RX-12G Single LC 12G Fiber Tx SFP AJA - Part # FIBERLC-1TX-12G Fiber allows outgoing and incoming video signals to be transmitted as far as 10 km away. Ki Pro Ultra 12G's fully integrated fiber inputs and outputs means it can be integrated directly to a dedicated fiber network alongside many other fiber products. Infinite Record allows continuous recording and rollover from PAK Drive to PAK Drive for a variety of needs including multi-day sporting events, conferences, security needs and much more.

#Sync audio editready code#

This function works with each input to Ki Pro Ultra 12G and will even function in Rollover mode, meaning that a loss of signal that spans separate media will pose no issues in editing, the time code of each file recorded being equal.įorced Rollover support allows users to force a rollover recording to the second PAK port at any point, allowing quick extraction of the first PAK drive for fast transfer to editing environments, playout servers and more, while recording continues. The editor then just simply cuts away from any recording that lost signal, without any heavy lifting to insert frames, or adjust audio to compensate. In this way, all multi-channel clips have the same timecode duration and will align perfectly within any NLE. But Ki Pro Ultra 12G is designed so that as soon as a loss in signal is detected on any of the inputs, a color bars frame with the legend “Loss Of Signal” is recorded until the input is restored or the shoot ends.

Losing one or even several feeds during a multi-channel shoot can cause major sync issues during the editing process that can be lengthy to resolve, if they can be resolved at all. Internal frame synchronizers eliminate the need for sources to be genlocked, which can be especially useful when setting up live events. Ki Pro Ultra 12G even allows rollover to a second PAK for hours of uninterrupted multi-channel recording. Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA PAK media*. Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra 12G and save power, space, time and effort on set, in the studio and when setting up OB trucks. Ki Pro Ultra 12G even allows independent profile support per channel in Multi-Channel mode for example, select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline.

#Sync audio editready 1080p#

Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra 12G – without the need to genlock the sources.